What might we mean by monoculture? What is the impetus for ‘identitarian’ or nationalistic monoculture movements who do not see, or wish, their society to be pluralistic, not just in the context of Europe but globally? Might we locate positive or even emancipatory aspirations of monoculture? Might a culturally homogeneous society also be inclusive and transformational? What lies at the fringes of monoculture, and what does it not tolerate? What may be the position of the arts within the context of monocultural ideology? Or alternatively, how might the arts look under monocultural ideology when taken to its logical conclusion?

MONOCULTURE – ESPERANTO

Image00004 scan: (c) M HKA
Jarlibro de Internacia Esperanto-Ligo 6 editions, 1940
Book , 15.3 x 11.3 cm
Book

Jarlibro is the oldest continuous publication of the Universal Esperanto Association. The UEA, the largest international organisation of Esperanto speakers, was founded in 1908 by the Swiss journalist Hector Hodler, and is now headquartered in Rotterdam, the Netherlands. The books contain information on the Esperanto movement worldwide, addresses and contacts of Esperanto organisations in different countries, tourist information, and advice on many related subjects